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New love & New Order

March 17, 2012

Our story together began on a slinky July afternoon at a hipster coffeehouse. I met him when I got up to play the jukebox. He sidled up to me, handed over a dollar bill and told me what song to play.

I said, “Don’t tell me what to do. That’s rude.” Besides, I’d already chosen that song.

He told me I had great taste.

I said he did too.

By the time he walked me to the parking lot, I already knew he would be my boyfriend someday.

He pressed me up against my father’s Buick, the metal hot enough to scorch my skin through the thin fabric of my sundress. When I squirmed, he pushed harder. The air was heavy with humidity, my shoulders were pink, both of us slick with sweat.

His kisses destroyed me. They burned — actually burned — as if his lips were formed from lava flows instead of cherry Chapstick. His tongue tasted like coffee and clove cigarettes.

I sank into the fire.

He handed me a torn cocktail napkin with the number of his friend’s place, where he was crashing on the couch for a little while.

There were already so many red flags, I was practically looking at a communist rally. I should have known better than to fall for the first broken man with a dollar and a request for “Regret.”

But back then, all of it was still new and good. I must have played “Regret” 50 times that night, taking one line of the song, holding it in my hand and polishing it like silver.

“You were a complete stranger, now you are mine.”

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This post is part of the Scintilla Project, a fortnight of storytelling. It’s not to late to jump in!

 

One second

March 15, 2012

 

I loved skydiving. And then, in a moment as quick and rare as a shooting star, I hated it.

What happened in between was this: Two friends, both trained skydiving instructors, went up into the air. On the way down, they collided. One man died. The other shattered his pelvis and broke his spine in five places.

My boyfriend was the one who lived.

What baffled me most about the incident was how quickly it happened — how the entire world changed for two men, their families and many of their friends in less than a second. It made no sense. In a world where we know so much about the molecules and cells that create a person’s life, how is it that life could be irrecoverably altered just like that?

A second is nothing. A blip. A snap. Less than a breath. It barely makes a difference, except when it does — when one man becomes a husk and the other dissolves into the space between something and nothing.

By nature, an accident is selfish and senseless. It’s just this stupid flash of a moment that comes in, fucks everything up and then leaves. There’s no bracing for it, no preparation, no warning.  There’s no opportunity to protest, to save, to protect. You can’t possibly put up a fight against something that’s already gone.

Afterward, the minutes and days and weeks that stretched ahead seemed overwhelming and impossible. That’s the cruelest thing about accident time — the chaos comes in a flash, but it takes an agonizingly long time to crawl through the wreckage.

Even now, I don’t understand how we slogged through the months that followed. I was barely a person. I was the cicada’s shell that had been left behind on a tree. And I was only on the sidelines; I wasn’t the one filed away in an intensive care unit.

I cried until it was my natural state. I drove to work and locked myself in the bathroom and consciously reminded myself to keep breathing. I went to the friend’s funeral, which was probably not a wise thing to do, and then I went on a bizarre shopping spree where I bought every Lance Armstrong book I could find. I still don’t know why. I slept on the floor of my boyfriend’s hospital room and refused to leave when visiting hours were over. I didn’t understand why I couldn’t will myself to be the one who was hurt or dead.

One day, at my boyfriend’s urging, I got back in the air. I jumped about 40 more times after that, and then I couldn’t do it anymore. There are many people in skydiving who can witness an injury or fatality and shake it off. They understand that it’s part of the sport, and they are willing to take the risk. I admire them for it, but I was no longer that person. And I was OK with that.

Sometimes people ask me if I skydive anymore. And I usually laugh and say, “No, no. I grew up.” The truth, however, is more complicated than that. I grew older, yes. And I grew more cautious. And I grew cold for something that once brought me great joy.

But while I locked my passion for skydiving away into a little compartment, I also unleashed a respect for other parts of my life.

Over the entirety of the incident, I gathered a certain sense of peace, which was both unexpected but welcome. It came from knowing that one second is the division between happiness and pain, bitterness and gratitude, here and not. It became the glass lens to help me to see clearly, reassess and do what is most important.

Accepting and understanding that fragile shard of time is what drives me now to play with the dog, finish the book, climb the mountain, travel the world, love the boyfriend-turned-husband and ultimately make more moments that matter.

 

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This post was part of The Scintilla Project, two weeks of storytelling. See what it’s all about.

 

On the trail of Anne Shirley

March 15, 2012

NOTE: This is my first post for Scintilla, a two-week blogging project. Today’s prompt is: “Life is a series of firsts. Talk about one of your most important firsts.”

It’s easy to be optimistic when you have a bicycle basket full of Twinkies and are 8 years old

You wave goodbye to your small, ranch-style home, to your family’s brown station wagon and to your little world of Huber Heights, Ohio. You don’t yet know that this is a troubled neighborhood with sagging porches, overgrown bushes and lawns cultivated with weeds. A place where you will someday find broken beer bottles in sewers, leering men in the park and a syringe in your friend Stacy’s driveway.

All you know is that this is America’s largest community of brick homes. Highway billboards declare it so in proud, 200-point type. And today you are leaving it behind.

There is hope in your feet, and it makes you pedal hard and strong for many miles — at least three of them — all the way to the AAA travel office.

“Can I help you?” says the woman behind a desk. She wears a nametag and navy blue suit.

You hand over the membership card that you swiped from your mother’s wallet. You’ve been to this office before, planning road trips with your parents to Gettysburg battlefields and Colonial Williamsburg, so you know the drill.

“Hi. I … I mean, we need a map. To Canada. We’re going to Prince Edward Island,” you say.

”You want a map from Ohio to Canada?”

The woman carefully examines you.

“Yes. Just a map. That’s all,” you say. “Um, my mom is waiting in the car.”

You hope this lady doesn’t notice the pink Huffy parked in front of the office storefront.

She sighs and walks over to a display case filled with maps and brochures.

“Would you also like some pamphlets for hotel and entertainment options in Nova Scotia?”

You have never heard of Nova Scotia, which sounds like a terrible affliction of the spine, but you smile and nod anyway.

The travel agent stuffs everything into a plastic bag. She returns the membership card, which you carefully place into your plastic wallet. It is already bulging with the money your grandmother gave you for Christmas and your birthday, plus some quarters you lifted from your dad’s dresser. You’re rich, and you know it. There’s got to be at least $50 in there.

You ride for many blocks. You are on your way to faraway places and wonderful things. The ribbons in your hair are made of yarn and they fly like the banners that trail a skywriting airplane.

The past few years, you have ripened inside a house of books. This is both a literal and figurative statement. Your father always has a book in hand to read in line at the bank or during halftime at the basketball game. Your sister has thick college texts that look simultaneously intimidating and enticing. Your older brother makes you look up words in the dictionary for his homework. You help your mother carry paper grocery sacks full of books home from the library, and then you build forts out of them. You sit inside books on top of books to read more books. And you love them with a passion that you don’t feel for anything else.

Your very favorite is “Anne of Green Gables,” a book that doesn’t read like a book at all but more like a very long letter from an old friend. It is the completely fictional story of Anne Shirley, a plucky, freckled orphan who is adopted by cranky old siblings. They live in a house called Green Gables in the quaint little town of Avonlea, Prince Edward Island.

You don’t believe that Anne is a work of fiction. In fact, you are convinced that you and Anne are exactly alike. While Anne puts liniment instead of vanilla in a cake, you learn not to put hot dogs in the microwave. Anne feels uncharitably toward classmate Josie Pye, and you push Cheryl Lacy off the monkey bars. Anne lets a mouse drown in the plum-pudding sauce. You dunk a cockroach into the ranch dressing on the salad bar at Sizzler. (This is an accident.)

The book feels so incredibly real that you ignore the laws of space and time. It doesn’t matter that “Anne of Green Gables” is set in the early 1900s and you are living in the thick of the 1980s. The only thing separating you from Anne is 1,500 miles. Or kilometers once you get to Canada.

It begins to drizzle. You pull to the side of the road and eat a Twinkie underneath a tree. It is cold. You are not prepared for this. You eat another Twinkie, because you are fat and gluttonous and happy you don’t have to share this food with your sister and brother.

You decide to ride through the rain, because who knows? Maybe it is raining in Canada too. You just want to get there.

You stop again when you get to the highway. You already don’t know which way to go. The cars are too fast and confusing. You are scared.

You turn around and pedal home.

This day is imprinted in technicolor on your memory, but it never even registers for the rest of your family. Years later when you retell the story, none of them remember it happening. It is just another Tuesday.

For you, this is a day that matters. It is your first taste of possibility. It is your first failure. And it lights the fire that burns for escape.

 

Wishlist

December 12, 2011

Are you a wealthy, benevolent benefactor? Excellent! I happen to be a happy, willing recipient of goods.

Let me present you with my Christmas list.

1. The Paris Review sports pen. For active, on-the-go literati.

Because you never know where you’re gonna be when you need to write shit down. With a fountain pen.

 

2. Fancy, lace-up boots.

My theory is that completely illogical boots draw attention away from my enormous nose.

 

3. Purity ring.

Back when I was a teen, virginity wasn’t really a trend. So now I feel like I was cheated out of some awesome chastity jewelry.

 

4. Leica X1.

As far as cameras go, this is the equivalent of Ryan Gosling. And it too has incredible core muscles.

 

5. Donation to the Landmine Relief Fund.

At the risk of going all Sarah McLachlan and bumming you out with something super serious, this NGO does incredibly important work in Cambodia.

Basically, Cambodians live on land that is KILLING THEM. Literally. There are millions of explosives still buried throughout the country, on farms, in villages, all over fields and forests, and they are wildly efficient. So the Landmine Relief Fund sends in trained professionals, who risk their own lives to save their neighbors.

I mean, I’m not going to dig up a landmine, right? So I might as well support the people who do.

 

6. A rainbow machine.

Does this really need explanation? IT’S A RAINBOW MACHINE.

 

7. High Falls stunt class.

This course will be an essential part of my ninja training.

 

8. Morse code bracelet.

It’s not really a curse word if it’s spelled out in delicate, gold Morse code, is it?

 

9. Go Pro camera.

You wouldn’t believe how often I could use a helmet cam.

 

10. Coffee mug from The Rumpus.

Because I do.

 

La-la-lame

November 2, 2011

I am compelled to sing to celebrities.

Specifically, I sing to musicians.

Even more specifically, I sing THEIR OWN SONGS TO THEM.

You guys, this is no joke. It is my secret shame. I’m almost too embarrassed to even write about this on my own blog, but they say the first step to recovery is admitting that you have a problem — and oh boy, I do.

It all started when I met Ludacris at a red carpet event. I happen to be intimately acquainted with Ludacris’ work, which is my fancy way of saying that I have a lot of his songs on my iPod. His words have been inside my ears — so we’re practically BFFs.

So I gave Ludacris a nod, smiled and said the first thing that popped into my head, which was, “Move bitch. Get out the way. Get out the way, bitch.”

He kind of stared at me, and I figured he was confused. Perhaps he did not recognize his own song. Maybe he thought I was simply asking him to step aside.

I tried again with lyrics from “Roll Out,” which is clearly a much better conversation starter since it involves interrogative sentences:

“Now where’d you get that platinum chain with them diamonds in it? Where’d you get that matchin’ Benz with them windows tinted? Who them girls you be with when you be ridin’ through? Man I ain’t got nothin to prove, I paid my dues breakin’ the rules, I shake fools while I’m takin’ a cruise.”

He just shook his head and moved on. And then I prayed for the red carpet to swallow me whole.

Then there was Usher, who had the misfortune of being seated next to me at President Obama’s inauguration. I’m sure my rendition of “You Make Me Wanna” assured him that he did not, in fact, wanna.

 

It happened again at a Warner Music industry party. I was a couple of wine glasses into the evening when I was introduced to David Foster. And I think we all know where this story is going … a Chardonnay-soaked female doing a screamy version of “St. Elmo’s Fire (Man in Motion).”

“You remember that one?” I said.

“Yes. I wrote it,” he said.

“I know every word.”

“I believe you. But you don’t have to keep singing it,” he said. “I wrote it.”

At the same party I ran into Josh Groban. I thankfully managed to avoid serenading him, only because I don’t know what he sings. Instead I just said, “What up, Groban? I saw you on PBS,” and then threw down a random gang sign.

I know. This thing I do is crazy horrible, and I wish I could stop. Unfortunately, I’m a lot like an overflowing washing machine. Once those bubbles start to rise up, there’s no hope of pushing them down again.

Believe me, I feel awful about it. Look at how miserable I made poor, delicate Sean Lennon.

 

Now check out how much Josh Homme wants to kick my ass.

 

At least the British are polite. Upon meeting Gavin Rossdale, I suggested he sell the song “Glycerine” to Listerine. And then I sang his song, substituting the name of the mouthwash for the real lyrics, just in case he didn’t quite get it the first time.

This is him pretending to be amused.

 

I just hope Prince never crosses my path, because I have an entire medley prepared — from “When Doves Cry” to “Gett Off” — and I’m ready to go. And that includes choreography.